One of the great joys of social media is people getting in touch to share things they think you might like, or know about or have a hot take on. This week a few people got in touch asking about alien octopuses from space. Without paying it too much attention I’d assumed that this news story from August 2015 had got reposted somewhere where scientist Clifton Ragdale made a perfectly innocuous statement quoting Martin Wells who compared the octopus to an alien (in some senses). Sadly, this juicy quote was just too good to pass up which lead to the story in the science and geek media cropping up again and again under various headlines pertaining to octopuses from space.
I was wrong, however, to assume this old story had popped back up again. This time around there’s a ‘serious’ paper “Cause of Cambrian Explosion – Terrestrial or Cosmic?” (Steele et al. 2018) in what appears to be a serious journal, Progress in Biophysics and Molecular Biology making some frankly ridiculous and unscientific claims about octopuses and an extraterrestrial origin. I know I should leave it alone, to not even point more eyes in the direction of it but the fact that people are talking about it and at least a couple of serious-looking media outlets are fairly uncritically running the story Cosmos, the Express, means taking an in-depth look might be worthwhile. Continue reading
This week the Global Register of Introduced and Invasive Species was launched. Here’s the blurb from the website:
GRIIS, hosted by ISPRA, has been developed with co-funding from the European Union through the Secretariat of the Convention on Biological Diversity within the framework of the Global Invasive Alien Species Information Partnership (GIASIPartnership). The GIASIPartnership has come together in order to assist Parties to the Convention on Biological Diversity, and others, implement Article 8(h) and Target 9 of the Aichi Biodiversity Targets – “By 2020, invasive alien species and pathways are identified and prioritized, priority species are controlled or eradicated, and measures are in place to manage pathways to prevent their introduction and establishment
The Guardian coverage ran with the subhead “New catalogue expected to stand alongside red list as an international means to fight extinction, by helping to stop biological invasions”.
Invasive and introduced species are one of the key threats to ecosystems, agriculture and aquaculture. Accidentally and deliberately introduced ‘alien’ species can have a huge effect on the places they are introduced into and they are extremely poorly monitored. We don’t so much know when they appear, we just notice when they are there or when they’ve become established. Invasive species can compete with natives, affect trophic systems, bring diseases and pathogens with them which can run riot in invaded ecosystems and if this wasn’t bad enough for nature there are a whole host of human impacts (which means we should care). The need for GRIIS is a burning one. There’s just one problem. GRIIS is currently not very good. Not very good at all. Continue reading
Still with me? This series is a step by step approach to the process of documenting natural history museum specimens in a cathartic attempt to explain the process to those who may wonder what museum curators do (some of the time) and in answer to the question, why isn’t your collection digitised yet? I’ve chosen Oxford University Museum of Natural History’s cephalopod collection to start with as a small subset of the zoology collections and one of the less well known parts of the collection. Part 1 looked at how we make a start from almost scratch. Part 2 dissected a ‘typical museum’ label and dipped a toe into some of the problems interpreting specimen labels. In this part, I’ve now added all the specimens I could find onto a spreadsheet and will start piecing together some of the overarching information currently entombed in data labels, apocryphal accounts of the collection and written documents.
Natural history specimens can come with a wide range of labels associated with them. Some are obviously recent museum labels that are easy to interpret but over the centuries multiple labels will have been glued, stitched or extremely loosely attached to specimens as they move from collectors to vendors to researchers and to other museums. Some of these labels are the only remnant of information which gives us an insight into a specimen’s history, information which has otherwise been lost. Without this history, important specimens can be overlooked and the use potential of specimens diminished because researchers often refer to collections based on their age and where they were collected.
Now let’s look at the range of labels found with specimens and begin to piece together what they may mean. Continue reading
Greetings cintanians? Cinctanonians? Tannins? It’s time for the if-I-do-an-update-I-don’t-feel-like-I’ve-been-neglecting-my-own-blog update. It’s been a busy couple of months on all fronts but pretty much all of my writing energy has been sapped by other commitments.
Here’s some of the stuff that I’ve been up to AROUND THE WEB, including some stuff you may have missed here, all handily packed into a blog post, for your viewing pleasure. Continue reading
Museum visitors ask some of the most innocent yet challenging (and also some important) questions . Why do animals have tails? How do you know it is dead? Is it real? Does it fart? Some of these questions, have a difficult and convoluted answer and other questions like “which animals fart?” can never be comprehensively answered even with an army of fart recorders sent out to the oceans, deserts, forests and cities of the world. As a general rule, and if some clever sod hasn’t already coined it, let’s call it the Carnall Rule, the simpler the question about biology, the more difficult it is to answer. I’d also add the qualifier, the more difficult it is to answer in a way that’s understood by most people.
I love thinking about some of these questions and I love asking them too. These big questions cause us to take a step back, do a bit of research and more often than not, question the question. So with this questioning spirit in mind let’s try to answer the simple question (ut oh): How many cephalopod species are there in the UK? Continue reading
Welcome to part two of the driest museum blog series ever, getting into the nitty gritty of how we ‘document’ natural history specimens from start to finish. Last time around we’d set up our spreadsheet and set off to the stores to start recording information and observations about specimens. Unlike works on paper, machinery or archival documents natural history specimens don’t readily come with information embedded, inscribed or machine stamped into them to aid with identifying the who, how, what, where and when associated with specimens. They’re also incredibly inconvenient in that many don’t even have an easy place to write information on so a lot of specimen information is written on labels, on, attached to or otherwise associated with specimens.
Label information is really key to the information management of natural history specimens and alongside other pieces of documentation, provide sometimes, primary, often times secondary information evidence pertaining to what the thing is, how old it is, when and where it was collected as well as the internal museum information such as publications on the specimen, questions over the identity, anatomical labels, marks, scribbles and scrawls. As a golden rule and one I impress upon visiting researchers using the Oxford University Museum of Natural History zoology collections is never trust a label. As we will see in this instalment they can be outdated, inaccurate or just plain wrong.
Interested in museum documentation? Having trouble sleeping? Then read on. Continue reading
Well, it started with a list actually, well before that it started with months of familiarisation with the collections at Oxford University Museum of Natural History.
For those of you who don’t know me, I’m the Collections Manager (Life Collections) at Oxford University Museum of Natural History and I manage the zoological collections (excepting the huge entomology sensu latu collections) and I’ve been in post for nearly two years now. My role at the museum as I see it is to facilitate access and use of the amazing collections at the museum but in order to do this, we need to get a handle on what material is in these collections.
This multi-part series will take you through the process from start to nearly finish, I suspect the pace of these blog posts will outstrip the pace of the work, in documenting the cephalopod collections at the museum. I have taught collections management in the past and (sadly) am very interested in how documentation works but in my work across the sector and wider, when discussing the problems with managing natural history collections, people not familiar with the work will ask “Why don’t you crowd source it” or “Just get volunteers to do it”. I’m afraid in many cases it isn’t that simple so these posts will take us through the whole process which is frustrating and laborious at times but ultimately satisfying when done right. It’ll be cathartic for me and scratch that teaching itch and who knows, it may be of some interest to others at the very least the nerdy museum documenters out there (shout outs to @RussellShepherd and @RegistrarTrek and the #MuseumDocumentation no offense intended).
Series introduced, let’s get on to documenting cephalopods. Continue reading