This week the Global Register of Introduced and Invasive Species was launched. Here’s the blurb from the website:
GRIIS, hosted by ISPRA, has been developed with co-funding from the European Union through the Secretariat of the Convention on Biological Diversity within the framework of the Global Invasive Alien Species Information Partnership (GIASIPartnership). The GIASIPartnership has come together in order to assist Parties to the Convention on Biological Diversity, and others, implement Article 8(h) and Target 9 of the Aichi Biodiversity Targets – “By 2020, invasive alien species and pathways are identified and prioritized, priority species are controlled or eradicated, and measures are in place to manage pathways to prevent their introduction and establishment
The Guardian coverage ran with the subhead “New catalogue expected to stand alongside red list as an international means to fight extinction, by helping to stop biological invasions”.
Invasive and introduced species are one of the key threats to ecosystems, agriculture and aquaculture. Accidentally and deliberately introduced ‘alien’ species can have a huge effect on the places they are introduced into and they are extremely poorly monitored. We don’t so much know when they appear, we just notice when they are there or when they’ve become established. Invasive species can compete with natives, affect trophic systems, bring diseases and pathogens with them which can run riot in invaded ecosystems and if this wasn’t bad enough for nature there are a whole host of human impacts (which means we should care). The need for GRIIS is a burning one. There’s just one problem. GRIIS is currently not very good. Not very good at all. Continue reading
It’s been a hot minute (read two months) since I got back from the Museums Association conference and wrote this blog post about what subject specialist knowledge means when it comes to museum professionals. I felt that the term ‘subject specialist knowledge’ is used so often that the meaning of the phrase has become a bit abstract. Ambitiously, I said I’d upload the ‘answers’ in a couple of weeks but it’s taken me so long to write these up precisely because, those snap decisions that your friendly neighbourhood curator inherently knows when thinking about museum specimens, is such a huge amount of information to type up.
So here are the six objects and the answers to the first half of the 32 questions I posted, that every good curator will know. I’d like to iterate that these are ‘easy’ ones for a natural historian and I’m sure colleagues in other fields can think of similar examples. This is the knowledge you lose when you don’t have the specialist on staff or access to a specialist or specialist network to advice. Continue reading
The media, both olden and social kinds have been full of Cecil the Lion these last few weeks or so. If you’re reading from the future or happened to have missed it this unnamed British broadcasting service (let’s see how they like it?) article about a planned Cecil the lion statue sums up the story so far. The tl;dr version of the story is an American dentist paid to hunt a Lion in Zimbabwe, killed it (with a bow and arrow no less), turns out it was a bit of a celebrity lion and now there are question marks over the legality of this specific hunt, although hunting is still permitted in Zimbabwe and obviously, many other parts of the world. Cue Internet outrage, off-the-shelf celebrity disgust and wildlife charities, companies and even countries falling over themselves to get some good PR with some token effort or initiative. For the meantime however, I’ve canned my outrage for the following jaded and cynical reasons, ‘curated’ into a numbered list for ease of reference. Continue reading