Another blogpost shamefully recycled from Twitter, here’s the thread if you wanted to check out the thoughts as they were. I spend a lot of time thinking about exhibitions and they’re kind of a silly format for doing any kind of communication I think. There’s something quite quaint about the notion of “We want to say something important so we’ve put some things in boxes with labels and if you don’t come and see it in this specific time period, well you missed experiencing it as it was intended”. Of course there’s online versions of exhibitions and some museums create excellent catalogues but it’s a thing you have to see or it’s gone! The upside to an exhibition as a form of media is it’s hanging in there as an authored and authoritative medium whereas other modes of communication have all but disappeared inside themselves trying to compete with the likes of spotify, social media, bloggers, infinite hours of free video online etc. that’s all but killed off the music industry, printed news, the book industry and TV respectively. In the BIG SCARE QUOTES post-truth era p’raps there’s a value in being so… so analog.
Inspired by the always slick Wellcome Collections going as far as to publish their inclusive design guidelines alongside their online version of the exhibition and creating a lot of noise around their new ‘permanent exhibitions’ that largely eschew the modern penchant for exhibition gimmickry (museums without objects, objects covered up, exhibitions of light or coloured fog or post-it notes or…) I tried to put my thoughts about the best kinds of museum exhibitions in my humble opinion. Continue reading