Another blogpost shamefully recycled from Twitter, here’s the thread if you wanted to check out the thoughts as they were. I spend a lot of time thinking about exhibitions and they’re kind of a silly format for doing any kind of communication I think. There’s something quite quaint about the notion of “We want to say something important so we’ve put some things in boxes with labels and if you don’t come and see it in this specific time period, well you missed experiencing it as it was intended”. Of course there’s online versions of exhibitions and some museums create excellent catalogues but it’s a thing you have to see or it’s gone! The upside to an exhibition as a form of media is it’s hanging in there as an authored and authoritative medium whereas other modes of communication have all but disappeared inside themselves trying to compete with the likes of spotify, social media, bloggers, infinite hours of free video online etc. that’s all but killed off the music industry, printed news, the book industry and TV respectively. In the BIG SCARE QUOTES post-truth era p’raps there’s a value in being so… so analog.
Inspired by the always slick Wellcome Collections going as far as to publish their inclusive design guidelines alongside their online version of the exhibition and creating a lot of noise around their new ‘permanent exhibitions’ that largely eschew the modern penchant for exhibition gimmickry (museums without objects, objects covered up, exhibitions of light or coloured fog or post-it notes or…) I tried to put my thoughts about the best kinds of museum exhibitions in my humble opinion. Continue reading
My last post was a ‘How To’ for researchers of all walks of life to write an enquiry to a museum. I’ve mentioned in a previous post for UCL Museums and Collections Blog about the foibles of finding and accessing museum specimens (specifically natural history museum in the UK) and I’d like to expand on that in this post. Accessibility and relevance of collections is enshrined in many museum’s ethos, founding principles or strategy yet as a museum researcher on occasion, as well as someone who works in a museum, the sector can make it very hard to link the people who would be users with collections. Anecdotally, I’ve heard from a number of researchers who have had a poor response from museum enquiries, even well structured ones, and I’ve got a three year old and one year old enquiry lodged somewhere in the pipes at two well known UK National Museums. With ever present pressure on resources within the sector as well as a need to justify why we need to plough resources into maintaining vast collections, here are a few things I think we could do, to get those collections better used. Continue reading
Museums are full of great stuff and the job of many museum curators and collections managers is to make museum collections as accessible as possible. Collections are there to be used, not hoarded for some future end-of-world-saving scenario. Museums receive hundreds of thousands, if not millions of queries a year about the collections they hold from university researchers, students, artists, teachers and members of the public. However, there are a few top tips I’d like to suggest to ensure that your enquiry is as helpful as possible to the people who look after collections and ultimately to help you receive a response. I’ve written previously on the UCL Museums and Collections blog that museums could be a bit more helpful for researchers trying to locate material for their use, currently it’s not necessarily easy or straight forward to match potential users with the people and collections that could be helpful for them. The excellent Ministry of Curiosity wrote a blog post earlier in the year about academics accessing museums ‘Why won’t you respond to my emails and other woes of academics‘ and I’d like to expand on Kristin’s list for everybody who might be writing a query to a museum. Continue reading