Can’t believe it’s been seven months since the last update! Goodbye 2017 you were pretty much as sucky as 2016 was but in a different way. It’s been a busy couple of months and unfortunately my writing juices have been sucked away by other endeavours, including an exciting book chapter which I’ve been very keen on writing for a while.
Here’s some of the more recent natural history and museum stuff I’ve been working on and contributed to from around the web, corralled into one place. Continue reading →
So here we are, two months since the last entry cobbled together with clips from around the web with ANOTHER ONE. I guess I’m sticking to blogosphere too. As with the last update, I’ve been contributing a lot elsewhere, some of which you may have missed.I struggle with the fine balance between trying to share ideas, what I’ve written and what others have written, enough so that people see it but not too much to end up spamming content he says whilst spamming content.
December and January have been fairly busy but here’s what I managed to squeeze out of the old brain tubes. Continue reading →
Do people still use the word blogosphere? It’s been rather quiet here at Fistful of Cinctans and that’s because I’ve been writing a lot elsewhere, so like those cheap flashback sitcom episodes that are mostly made up of footage from older episodes, here’s some pointers to other stuff I’ve been writing instead. Continue reading →
Last week, the Natural History Museum London was the latest institute to engage with the mega brand x mega brand love in that is Google Cultural Institute partnerships. Presumably, they’ve partnered with most of the major art museums so the attention has finally turned to natural history* (at the time of writing, Google Cultural Institute still haven’t announced the project on Google+, evidence perhaps that even Google doesn’t use Google+). Although these projects, where the Google Cultural Institute partners with a museum to present their collections through the Google Arts and Culture platform, aren’t exactly new, the addition of one of the UK’s big natural history museums is a chance to examine whether these are any good yet.
Ha ha tricksy title! I mean giant squid as in multiple giant squid, Architeuthis dux not a single giant squid, which would be a very silly question indeed. I’ll explain how I got to this question first as it probably isn’t one that many people have contemplated.
Calamari Moon by Mark Carnall (Own work) CC BY 2.0 but let me know if you do!
I’ve been reading the excellent book- The Search for the Giant Squid by Richard Ellis which gives a comprehensive account of the biology and mythology surrounding giant squid, Architeuthis dux and related species up to 1998. The book covers the earliest accounts of encounters of giant squid; an examination of tall tales about large cephalopod encounters; giant squid in literature and film; and a really nice history of giant squid models in museums. Despite being one of the largest living invertebrates, very little is still known about giant squid including how their arch-enemies, the not-so-small-themselves cetaceans, sperm whales, catch them.
In the dark depths of the ocean how do essentially blind, breath-holding, large sperm whales catch highly manoeuvrable, fast, super-sensed giant squid? How do they catch them with their weird toothed mandible especially considering that giant squid retrieved from sperm whale stomachs don’t have any bite marks? And what does any of this have to do with the Moon? Continue reading →
About once a year, I take the time to comb through the Internet for references in books and journal articles to museum specimens in the collections I manage. Despite the fact that I give all the researchers who visit the collections instructions for keeping the museum informed if/when their research gets published, sometimes it doesn’t happen. Sometimes it’s an innocent mistake: it can be a decade between data collection from specimens and publication and in the tweaking of manuscripts remembering to let the museum know about publications citing their specimens can drop off the priority list. Sometimes however, it seems like researchers failed to listen to what those annoying museum people said and just ‘forget’ or just make it up entirely.
Recently the researchers and collections managers at the Oxford University Museum of Natural History have undertaken a big drive to try to find orphaned citations of our collections going back to 2010 for our reporting cycles and with dogged determination to leave no stone unturned, we’ve managed to find an order of magnitude more citations that weren’t previously linked to the collections.
It’s really fundamental to the scientific process, the future or museums and the legacy of biological sciences that hypotheses and research can be repeated and that we can trace the theory back to the evidence that leads to new conclusions being made. It’s really important to properly cite specimens and here’s why and how. Continue reading →
It’s been a hot minute (read two months) since I got back from the Museums Association conference and wrote this blog post about what subject specialist knowledge means when it comes to museum professionals. I felt that the term ‘subject specialist knowledge’ is used so often that the meaning of the phrase has become a bit abstract. Ambitiously, I said I’d upload the ‘answers’ in a couple of weeks but it’s taken me so long to write these up precisely because, those snap decisions that your friendly neighbourhood curator inherently knows when thinking about museum specimens, is such a huge amount of information to type up.
So here are the six objects and the answers to the first half of the 32 questions I posted, that every good curator will know. I’d like to iterate that these are ‘easy’ ones for a natural historian and I’m sure colleagues in other fields can think of similar examples. This is the knowledge you lose when you don’t have the specialist on staff or access to a specialist or specialist network to advice. Continue reading →