Elsewhere in the blogosphere update August

Can’t believe it’s been seven months since the last update! Goodbye 2017 you were pretty much as sucky as 2016 was but in a different way. It’s been a busy couple of months and unfortunately my writing juices have been sucked away by other endeavours, including an exciting book chapter which I’ve been very keen on writing for a while.

Here’s some of the more recent natural history and museum stuff I’ve been working on and contributed to from around the web, corralled into one place.  Continue reading

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Elsewhere in the blogosphere update January

So here we are, two months since the last entry cobbled together with clips from around the web with ANOTHER ONE. I guess I’m sticking to blogosphere too. As with the last update, I’ve been contributing a lot elsewhere, some of which you may have missed.I struggle with the fine balance between trying to share ideas, what I’ve written and what others have written, enough so that people see it but not too much to end up spamming content he says whilst spamming content.

December and January have been fairly busy but here’s what I managed to squeeze out of the old brain tubes. Continue reading

Elsewhere in the blogosphere update November

Do people still use the word blogosphere? It’s been rather quiet here at Fistful of Cinctans and that’s because I’ve been writing a lot elsewhere, so like those cheap flashback sitcom episodes that are mostly made up of footage from older episodes, here’s some pointers to other stuff I’ve been writing instead. Continue reading

Cephalopod Watch:Weeds of the sea and the <Gene diet

Two bits of cephalopod stuff in the media last week, both of which raised the hackles but for different reasons relating to how the media (in this case mostly online) handles science reporting. I always find this kind of stuff interesting, doubly so since a really interesting talk at NatSCA 2015 Annual Conference where we heard from colleagues at the BBC and science programmers about how documentaries aren’t for those in the know. Both in terms or viewers and critical acclaim, the scientists may hate shoddy science but they aren’t the target audience. This shouldn’t give the media free rein to just report what they like but trying to squeeze complicated, limited and caveated findings into nice black and white narratives leads to more confusion. Things can only be bigger, smaller, disappearing, brand new, oldest, fastest, slowest etc. Biology, (un)fortunately, is rarely that simple.

The first of the bits of news last week was this paper, Global proliferation of cephalopods in Current Biology about estimating cephalopod populations Continue reading

Gamifying Museums- The Logical Extreme

Last week my Twitter feed was all #MWXX which I presume had something to do with Museums and the Web, probably the 20th conference, it may also still be happening such is the opaque nature of the events conference hashtags refer to.

In any case whatever #MWXX was, it seemed to be filled with some of the best and brightest of those working with museums ‘and the web’ but more broadly digital. Ever since my Museum Studies training, I’ve had an interest in museums and the digital as a digital native urghhh, I mean ‘millennial’ but more importantly the incredibly slow pace in which museums are really getting to grips with the interesting stuff that is happening on the Internet and in video games, digital art etc. Last year, there were some very silly suggestions that museums are now ‘post-digital’ and we should stop banging on about the digital as some magical future thing.

Digital is everywhere. It’s just another tool in the toolkit. I’d very strongly argue that with rare, normally uncelebrated good examples, most museums are very much analog and that Digital still equates to a not very good website, crappy gallery interactives, an unreliable app developed circa 2009 and not very good online databases. Which might actually be fine because I suspect that us urghhh ‘millenials’ are actually quite bored of digital. Give us bespoke, handmade, tangible, esoteric and analog. I’m a slave to digital platforms at work and play and I want to spend my downtime away from them. There’s a seed of a thought there that I’ll expand on in another post, maybe. But, as a keen gamer I’m quite sad to see that gamification of museum spaces just hasn’t happened in a very real way. Sure, if you read Reality is Broken in 2012 you’d have believed that by 2016 even our toasters would be recording our high scores and spamming our friends with toasted bread updates but turns out that gamification flourished in the Silicon Valley Petri dishes but didn’t squirm much further.

When you do see museums engaging in games and gamification, it’s often in a very earnest, shallow and eduware kind of way. More Fun School 3 than Never Alone and 100% less interesting, engaging and inspiring than Minesweeper. Museums should skip steadily progressing 20 years behind digital culture and jump right up to date borrowing the scummiest and unethical but addictive and sometimes lucrative practices from current social media platforms and the ballooning free-to-play models that even giants of gaming seem to be pursuing. Introducing the MyMuseum app (working title). Continue reading

#MuseumTwitterati Challenge

You may have seen the #TwitteratiChallenge, and the museum spin off #MuseumTwitterati doing the rounds, and what better way to kick off this blog with some props to some of the people who inspire and engage through social media. I’ve had many fine discussion/snarkfest/lamepun interactions on Twitter and rely on it almost daily to keep up with the latest news and happenings from across the museum sector.

I’ve been nominated by friends and colleagues Paolo Viscardi and Helen Parkin (A.K.A @crazymuseumlady) both of whom inspire me back so thanks a lot guys!

The idea of the challenge, a spin off, originally started by @TeacherToolkit to “recognise your most supportive colleagues in a simple blogpost shout-out. Whatever your reason, these 5 educators [museologists] should be your 5 go-to people in times of challenge and critique, or for verification and support“. So here we go. Continue reading