Archives, Libraries & Museums: Time To Let Newspapers, Radio and Television Die.

A historic decision was made this week at the International Museums, Archives, Libraries and Heritage Committee (IMALHC) annual congress meeting in Oslo by international representatives of the global heritage sector. IMALHC members voted to stop giving deadmedia (newspapers, radio and television broadcasting) a free ride in order to let them die with “a bit of dignity left”. This welcomed decision is expected to be respected and actioned by heritage organisations in the coming year. The decision taken is to stop giving free time, resources and assets to deadmedia organisations to run cutesy stories or prop up the same three documentaries they keep making.

Brione Poplio, IMALHC member and Curator of Massmedia at the Museum of Communication, said “As an expert on obsolete media it was a difficult decision to pull the plug on creative industry stablemates. However, it’s been a rather one-sided relationship for the last hundred years or so. We waive filming and reproduction fees, give up our already limited staff time, help with their research and they run the same headline about ‘discovering lost artefacts in dusty basements’. It’d almost be offensive if anyone was actually reading listening or watching”.

Cereza Bayonetta, Head of Brighton Archives Centre added “We had the perfect example of this last month. We gave up two days of time and museum space for BBC filming How Old Is Your Celebrity Caravan and got three likes on our ‘we’re on the telly’ tweet. A local popular LGBTQ+ podcaster happened to mention they came to the centre in passing and our Instagram follower quadrupled overnight. They also got the name of the institution correct, unlike the BBC”.

Ian Dunlop, Director of Wenlow Museum of Horticulture said “Exposure is cheap these days. I was on the Today programme recently talking about hoes and I couldn’t even buy a coffee in my local cafe with the exposure. The young barista didn’t even recognise it as valid currency at first!”.

Jenny Jenson, Head of Marketing, Communication and Innovation at the Museum of Rocks and Dairies, offered: “We’ve got a live webcam of a creaky floorboard that once belonged to Charles I that has more viewers than at least three national newspapers have circulation figures. If we wanted to get a message out, we’d put a Post-It on the floorboard to be honest”.

Some heritage professionals welcome the decision to allow traditional journalism to end with some dignity such as Mia Norwich, Head of beeswax at GYRATE!: “When the lights do finally go off and the doors do finally close on the fourth estate and traditional journalism let’s remember them for speaking truth to power, for making world leaders quake in their boots. For holding those at the top accountable. Let’s make the memory of dead media one of these messages, not the papping celebs on the milk run in their PJ’s or the giving platforms to trendy fascists that they’re known for nowadays”.

Not everyone was unconcerned for the future of popular culture, newsmaking and communications though. N’Gari Hattershank, Chief Senior Junior Librarian from the Potter’s Library, warned: “Obviously, the Internet and social media remains the Wild West when it comes to ethics, checks and balances and accountability. This is a slight change to traditional journalism which has these ethics, checks and balances largely ignored but at least on paper”.

 

 

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50 Natural History Museum Exhibitions

After us. Life after the Anthropocene.
Altruistic animals. The zoology of selfishness.
Animal Additives. The zoology of household products.
Anthropodenial. Are Animals Human?
Are We Smart Enough to Know How Smart Animals Are?
Arses and Elbows. Anatomy for Beginners.
Back from the Dead? The Science Fact and Fiction of De-extinction.
Bats are not Bugs.
Better off Dead? The Ethics of Eradication.
Blue boobs and other unlikely evolutionary tropes in science fiction.
It Came From The Bottom of A Shoe. Invasive species and how we help spread them.
Can’t see the forest or the trees. What happened to England’s nature?
Chimaeras: The Evolutions of Symbiosis
Collecting the Dead. Where did all these specimens come from?
The Conservation Lottery. Which species should we save?
Cute and Fluffy. Subjectivity and study species.
Dinosaurs in the Garden. The confusing language of science.
The Death of Natural History.
Faeces, Droppings & Turds. The biology of shit.
Fakes, Fibs and Forgeries. Damaging Dishonesty in Science.
From Nature to the Plate. Where your food comes from.
GREED! The organisms we’re eating into extinction.
Going, going, gone. 100 species that slipped through our fingers.
How to kill a cow. Where do you think burgers come from?
Killer Cities. Pathologies of modern civilisation.
Lost! Mishaps and accidents in science research.
Microbiota: the other organisms that make up you.
Mincer vs. Machine Gun. The hunting we’re okay with vs the hunting we’re not.
Mind the Gaps. What we don’t know about natural history.
Murmurs, Swarms and Schools. When animals amass!
Needle in a haystack. The organisms only seen once.
No Cure Without Kill. Animals that die for science.
The Paradox of Sustainable Living. Does individual action make a difference?
Pushing up the daisies: the biology of death.
Preggers: The Biology of Birthing.
Race: Construct, Cultures, Genes.
Ravaged, Sick and Toxic. Environmental lessons from the ‘developed world’.
Right vs Correct. Morality in conservation biology.
Saved for exploitation. What makes a species worth saving?
Sick as a parrot? Disease in other animals.
SPERM. The anatomy of fertilisation.
Subhuman, the history of animal rights.
Subspecies, the politics of biological taxonomy.
Trash Planet. The search for untouched nature.
Toxic Wasteland? Our children’s inheritance.
Unloved! The importance of small, unattractive and obscure animals.
What is an animal and why does it matter?
Whoops! The ten biggest cock-ups in biology and their legacy today.
Whose nature is it anyway? The geopolitics of biodiversity.
The World on a Plate, the natural history of your supermarket.

Elsewhere in the blogosphere update October

Greetings cintanians? Cinctanonians? Tannins? It’s time for the if-I-do-an-update-I-don’t-feel-like-I’ve-been-neglecting-my-own-blog update. It’s been a busy couple of months on all fronts but pretty much all of my writing energy has been sapped by other commitments.

Here’s some of the stuff that I’ve been up to AROUND THE WEB, including some stuff you may have missed here, all handily packed into a blog post, for your viewing pleasure. Continue reading

Elsewhere in the blogosphere update August

Can’t believe it’s been seven months since the last update! Goodbye 2017 you were pretty much as sucky as 2016 was but in a different way. It’s been a busy couple of months and unfortunately my writing juices have been sucked away by other endeavours, including an exciting book chapter which I’ve been very keen on writing for a while.

Here’s some of the more recent natural history and museum stuff I’ve been working on and contributed to from around the web, corralled into one place.  Continue reading

Gamifying Museums- The Logical Extreme

Last week my Twitter feed was all #MWXX which I presume had something to do with Museums and the Web, probably the 20th conference, it may also still be happening such is the opaque nature of the events conference hashtags refer to.

In any case whatever #MWXX was, it seemed to be filled with some of the best and brightest of those working with museums ‘and the web’ but more broadly digital. Ever since my Museum Studies training, I’ve had an interest in museums and the digital as a digital native urghhh, I mean ‘millennial’ but more importantly the incredibly slow pace in which museums are really getting to grips with the interesting stuff that is happening on the Internet and in video games, digital art etc. Last year, there were some very silly suggestions that museums are now ‘post-digital’ and we should stop banging on about the digital as some magical future thing.

Digital is everywhere. It’s just another tool in the toolkit. I’d very strongly argue that with rare, normally uncelebrated good examples, most museums are very much analog and that Digital still equates to a not very good website, crappy gallery interactives, an unreliable app developed circa 2009 and not very good online databases. Which might actually be fine because I suspect that us urghhh ‘millenials’ are actually quite bored of digital. Give us bespoke, handmade, tangible, esoteric and analog. I’m a slave to digital platforms at work and play and I want to spend my downtime away from them. There’s a seed of a thought there that I’ll expand on in another post, maybe. But, as a keen gamer I’m quite sad to see that gamification of museum spaces just hasn’t happened in a very real way. Sure, if you read Reality is Broken in 2012 you’d have believed that by 2016 even our toasters would be recording our high scores and spamming our friends with toasted bread updates but turns out that gamification flourished in the Silicon Valley Petri dishes but didn’t squirm much further.

When you do see museums engaging in games and gamification, it’s often in a very earnest, shallow and eduware kind of way. More Fun School 3 than Never Alone and 100% less interesting, engaging and inspiring than Minesweeper. Museums should skip steadily progressing 20 years behind digital culture and jump right up to date borrowing the scummiest and unethical but addictive and sometimes lucrative practices from current social media platforms and the ballooning free-to-play models that even giants of gaming seem to be pursuing. Introducing the MyMuseum app (working title). Continue reading